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Dear Readers As some of you will already know, I've decided to close down Theatre Notes. It's a decision that's been staring m...
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I missed the opening night of The Seed. From other reviews I've read, this was probably a good thing: sometimes it strikes me that pres... -
The Madwoman of Chaillot by Jean Giraudoux, adapted by Maurice J. Valency, directed by Simon Phillips. Designed by Stephen Curtis, lighting...
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Polly Stenham's That Face - famously written when she was 19 - is most often compared to Who's Afraid of Virginia Woolf ? - not lea... -
I'm loath to say this, for several reasons, but nevertheless: sometimes you have to point out the obvious. (In Ms TN's case, pointin... -
The nominations for the Helpmann Awards , our national awards for the performing arts (yes, I know it's problematic), were announced ea...
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Baal, pagan Lord of Heaven, god of rain and fertility. Baal, the first king of the Christian Hell, best known to us as Beelzebub. Milton'... -
It's proverbial that there is a Hamlet for every century. As Jan Kott says, it's a play that absorbs its times. The Romantic era ga... -
Melbourne Festival Diary #8 I woke the morning after seeing the Schaubühne Berlin's production of Henrik Ibsen's An Enemy of the P... -
Here at TN, we proudly stand at the cutting edge of the art of ugly neologism. I guess it goes with an unfortunate passion for awful puns th...
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Is it wrong to have laughed almost hysterically as I re-watched this vid about twenty times?
Probably. But it's very hard not to. It's all in the, er, timing...
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