Drama, theatre and other arguments
TN takes issue with Edward Bond in today's Guardian theatre blog, thereby sparking a bit of argy bargy. Underneath, of course, is a serious question about what it means to write in the theatre...
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Dear Readers As some of you will already know, I've decided to close down Theatre Notes. It's a decision that's been staring m...
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For the first thirty seconds I thought we were in for something special in Queen Lear . Robyn Nevin in the titular role, regally costumed in... -
Baal, pagan Lord of Heaven, god of rain and fertility. Baal, the first king of the Christian Hell, best known to us as Beelzebub. Milton... -
No one is more surprised than I am. As of now, Ms TN is moonlighting as the Australian's Melbourne theatre reviewer, standing in for th...
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To my distress and dudgeon, I did Matt's Which Book Are You? quiz and found out that I am J. Alfred Prufrock . I guess it could be wors...
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I know it's been quiet on the blog the past couple of days. However, it has not been quiet at home: I've been putting together an Op...
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Because Richard Bean's play The Heretic is about climate change, it attracted the notice of hardline climate change denier Andrew Bolt ... -
Update: Jana Perkovic weighs in at Guerilla Semiotics . Well worth the read. Update 2: The Guardian 's Noises Off rounds up the brouha...
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Update: George Hunka on British playwrights , responding to David Cote's Time Out blog , is a must-read. And see Andrew Haydon in the G...
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Every time David Williamson writes a new play, the Australian theatre world launches into one of its favourite games. It goes like this. The...
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