It's official. After much speculation, it was announced today that Kristy Edmunds, Artistic Director of the Melbourne International Arts Festival, is staying on for another year. This will take her directorship up to 2008, an unprecedented four-year term.

Carol Schwartz, President of the MIAF Board, said the extension of Edmunds' term recognises the Melbourne Festival's growing international reputation. She said the decision reflects the State Government's desire for the festival to take a leading role in Victorian culture, and to diversify its audience base.

And some new audience figures came with the announcement. Total ticket sales for MIAF 2006 were 57,000 - not the 34,000 reported just after the festival - and grew by 3000 this year. The Visual Arts Program alone attracted 128,000 people. This doesn't look so bad beside the fabled years of the mid-90s (the Schofield era), which was avowedly populist and reportedly had ticket sales of around 60,000.

The new policy of extended AD terms is part of a "strategic plan" recently approved by the Board, which will offer all future artistic directors a three-year contract with an option on a further year. Schwartz said this decision recognises the long-term planning required to commission significant work, and permits the AD to develop relationships between the local artistic community and international arts networks.

Also, it brings Melbourne slightly more in line with general practice. Internationally, festival directors tend to have considerably longer lifespans, and this continuity permits them to exercise an influence on the culture around them, and to evolve and refine their programming and policies. Jean Vilar, for example, the famous French actor and director, founded the Avignon Festival - one of the biggest in Europe - in 1947, and ran it until his death in 1971.

Of course, limited terms prevent ossification, always a clear and present danger in Melbourne culture. But four years is a decent term. Perhaps most interesting is the emphasis Edmunds places on MIAF's place within what she calls the local "arts ecology". She doesn't just import headline international acts: this festival is conceived as a dynamic stimulus within our culture.

For TN, this is excellent news: we approve of Kristy Edmunds here, not only for the quality of the work she's programmed but also because of the enriching of local arts practice and dialogue that ensues. We're ready for the ride. But watch the Bolters howl.