You know, I thought that Melbourne was a small city, just the right size for a cultural grasshopper like Ms TN. Unlike the seething metropol...

*NB: Major spoilers after the fold* Deadpan irony is a perilous art. Australians are reflexively ironic, and can find themselves disconcerte...

Because Richard Bean's play The Heretic is about climate change, it attracted the notice of hardline climate change denier Andrew Bolt ...

Baal, pagan Lord of Heaven, god of rain and fertility. Baal, the first king of the Christian Hell, best known to us as Beelzebub. Milton'...

Update: Jana Perkovic weighs in at Guerilla Semiotics . Well worth the read. Update 2: The Guardian 's Noises Off rounds up the brouha...

The Skriker by Caryl Churchill, directed and designed by Brian Lipson. Lighting by James Shuter, audio visual by Qiao Li, visual effects Ni...

For the first thirty seconds I thought we were in for something special in Queen Lear . Robyn Nevin in the titular role, regally costumed in...

A few years ago, I spent some time with the Seagram Rothkos in the Tate Modern collection. Grouped together in a specially designed gallery,...

Black Medea by Wesley Enoch, directed by the writer. Designed by Christina Smith, lighting by Rachel Burke, sound design by Jethro Woodwar...

Polly Stenham's That Face - famously written when she was 19 - is most often compared to Who's Afraid of Virginia Woolf ? - not lea...