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Review: Queen Lear
For the first thirty seconds I thought we were in for something special in Queen Lear . Robyn Nevin in the titular role, regally costumed in...
Review: The Heretic
Because Richard Bean's play The Heretic is about climate change, it attracted the notice of hardline climate change denier Andrew Bolt ...
2020 Open Letter in Support of Bill Henson
I know it's been quiet on the blog the past couple of days. However, it has not been quiet at home: I've been putting together an Op...
Review: Baal
Baal, pagan Lord of Heaven, god of rain and fertility. Baal, the first king of the Christian Hell, best known to us as Beelzebub. Milton...
Response from Neil Pigot
On Monday, I pointed to Neil Pigot's recent Age op-ed as part of a global sweep of items of interest, making a couple of brief comments...
In Which Ms TN Discourses At Length
KO: REVOLUTION. What takes place as indicated by Ko is believed in only after it has been accomplished. Hexagram 49, I Ching. It's no ex...
On being nice
UPDATES: Some well-considered words from Ben Ellis over at Parachute of a Playwright and gobsmacked disbelief from our man in berlin Da...
Review: Sleeping Beauty
Sleeping Beauty: This Is Not A Lullaby , directed by Michael Kantor. Devised Paul Jackson, Maryanne Lynch and Anna Tregloan. Scenario by Mar...
Seven Jewish Children
Update: George Hunka on British playwrights , responding to David Cote's Time Out blog , is a must-read. And see Andrew Haydon in the G...
Helplessness, grief, agency: a personal note
This weekend, I spent two days at the Malthouse Theatre talking about the climate crisis. It was part of an event called Tipping Point Austr...
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Review: Rock'n'Roll
Review: Asylum
Hamlet, cigarettes, that kind of thing
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The Empire Strikes Back
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How theatre is saving the soul of Australian fillums
The intellectual critic
And on the national stage...
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Wednesday, February 13, 2008
And on the national stage...
I am
proud of Australia
today.
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