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Review: Queen Lear
For the first thirty seconds I thought we were in for something special in Queen Lear . Robyn Nevin in the titular role, regally costumed in...
Review: Baal
Baal, pagan Lord of Heaven, god of rain and fertility. Baal, the first king of the Christian Hell, best known to us as Beelzebub. Milton...
Review: Special, Silent Disco
I wish I could adequately explain the irrational joy that The Rabble's latest work, Special , invoked in me when I saw it last week. The...
Review: The Heretic
Because Richard Bean's play The Heretic is about climate change, it attracted the notice of hardline climate change denier Andrew Bolt ...
Review: Othello, Enlightenment
Othello by William Shakespeare, directed by Marion Potts. Set design Ralph Myers, costumes by Brice McKinven, light design Nick Schlieper, ...
2020 Open Letter in Support of Bill Henson
I know it's been quiet on the blog the past couple of days. However, it has not been quiet at home: I've been putting together an Op...
Review: Random, The Laramie Project - 10 Years Later, Next to Normal
An apology and an explanation. As I said yesterday, I am in the lees of a foul cold: but the truth underneath is that, since the beginning o...
The Last Post
Dear Readers As some of you will already know, I've decided to close down Theatre Notes. It's a decision that's been staring m...
Review: King Lear/The Seagull
King Lear by William Shakespeare and The Seagull by Anton Chekhov, directed byTrevor Nunn. Designed by Christopher Oram, lighting design b...
Ms A's Guide To Theatre Etiquette
I see that Dr Peter West, retired university lecturer and social commentator, is in today's Age fulminating on the bad manners of Young...
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Review: Rock'n'Roll
Review: Asylum
Hamlet, cigarettes, that kind of thing
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The Empire Strikes Back
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How theatre is saving the soul of Australian fillums
The intellectual critic
And on the national stage...
Young people
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Wednesday, February 13, 2008
And on the national stage...
I am
proud of Australia
today.
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