tag:blogger.com,1999:blog-7202906.post113504487987761153..comments2024-02-18T19:36:43.844+11:00Comments on theatre notes: 2005 - looking backAlison Croggonhttp://www.blogger.com/profile/08398213223487458758noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-7202906.post-1136181099996800912006-01-02T16:51:00.000+11:002006-01-02T16:51:00.000+11:00Hi Jeremy - pardon for the Melbourne-centric comme...Hi Jeremy - pardon for the Melbourne-centric comment on White. This is, you remember, a blog specifically about theatre in Melbourne. I was prefectly aware that Mnouchkine's work had been on in Sydney, and certainly did not say that it was the company's first visit. But it hadn't been seen in Melbourne before. <BR/><BR/>It's hard, all the same, to see in the theatre exemplified by Williamson or Alison Croggonhttps://www.blogger.com/profile/08398213223487458758noreply@blogger.comtag:blogger.com,1999:blog-7202906.post-1136179907058462052006-01-02T16:31:00.000+11:002006-01-02T16:31:00.000+11:00Your Victoriacentricity lets you down, dear Alison...Your Victoriacentricity lets you down, dear Alison. Of course, you are only summing up the theatrical year in Melbourne. But your ability to cross-reference to other artforms, theatrical reviews in other countries, etc makes the CrogBlog what it is - worth reading. So hints of a closed mind to the rest of Australia's theatrical culture is disappointing.<BR/><BR/>I refer in particular to the Anonymousnoreply@blogger.com